It is also possible to merge individual sessions and run analysis for comparison purposes. Any grouping or specific channels can be displayed in a separate data block and analyzed. The software can run up to 160 TrackSense channels or 120 E-Val Pro channels at a time, all of which can be identified and displayed in different groups, such as penetration and distribution. The data from both systems can be presented and analyzed in the same session. ValSuite collects and presents validation data from both the E-Val™ Pro and TrackSense® Pro data logging systems. Multiple calculations, such as min/max, standard deviation, average, delta T and lethality can be calculated using any block of the displayed data – eliminating the need for exporting data and compromising data security.The ability to zoom in the graphs and display multiple windows at a time, simplifies the process of identifying important data.The data analysis tools greatly reduce the time required to locate critical data.Can run from a stand-alone PC or networked.Automatic PDF report generation with clear pass/fail indication.Combine TrackSense data loggers and the E-Val Pro wired thermocouple system in the same session.One software platform for all Ellab equipment.ValSuite is availabe in four generic versions: ValSuite Basic, ValSuite Medical, ValSuite Plus and ValSuite Pro. ValSuite is developed according to GAMP principles and is available in multiple languages for Windows 7, 8 and 10 (32/64-Bit). ValSuite offers features like customized reports with clear pass/fail criteria, test templates, data analysis, monitoring, live data and much more. Most notably ValSuite Pro, our FDA 21 CFR Part 11 compliant software that ensures full data integrity. We offer multiple versions of ValSuite to meet your exact needs. Thereby opening the door to a vast amount of new possibilities by allowing you to combine data loggers with the traditional thermocouple systems. This intuitive software combines all our equipment systems into a single platform. ValSuite is our reputable validation and calibration software.
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We've been dogfooding the SDK internally for the last few months and used it to instrument over 20 DeFi protocols supporting over a dozen customers and thousands of users. Today, we are excited to announce a software development kit (SDK) to query data from the Ethereum blockchain – a problem we've been trying to solve for many years. Blockchain data is messy, disorganized and time-consuming even for an experienced engineer. The proof can be the private input to the next proof.įinally, the usual operator finds a Uniswap transaction mixed with many activities among many addresses.Introducing Covalent's DeFi SDK – An integrated approach to value your digital assets with 5 lines of codeĭespite all the progress we've made in crypto tooling the last couple of years, one difficult task remains unsolved: extracting data from blockchains. Such a batch, which is actually a transaction, can be combined with others by applying recursive zkp repeatedly. Then the final operator( the usual operator) only knows that one of the addresses with dummies sent a Uniswap trade transaction. The transactor has or generates several dummy accounts and integrates the dummy transactions (or cheap transactions from those) to the main transaction as a batch like at the first step. The final operator (is the usual operator) combines all batches all small operators (just the users) make. If the operator is the last person who has secrets of the others, let’s make all transactors operators. 3) Third, combining transactions makes “weak secrecy.” So, at the same time, the operators themselves have the “mixing-level” privacy for their transactions because only the operator and a transactor know the activity. In this situation, only the operator and a transactor know what the transactor is doing since all tx histories banish into the private input, and the result is mixed. (The important thing here is that other operators cannot know that from the batch.) If you are the operator, you can know each content of trades in the batch you aggregate. If there is global state then this breaks privacy as it needs to be shared for others to make proofs about this state. So with ZKPs you end up building private things using only user specific state. If they can monitor as the state changes they can see what others are doing. If they have the state info they can monitor as the state changes. So anyone who is able to update the system must have this state info in order to create the zkp that they updated correctly. Why you can't build a private uniswap with ZKPs This is what zkp can do as was researched in the works by Barry Whitehat. Here you find that the user balances/states are hidden if you combine the first step (result mixing) and this second step. The Merkle proof of the inclusion of the assets bind to the last Merkle root, and the Merkle proof of the inclusion of the changed balance/assets bind to the next Merkle root, can be in the private input of the zkp circuit, and the relevant change of global states can be the public input. If you define the data model that every asset is described as a leaf of the small Merkle Tree for each user, each user can prove her assets and these relevant transitions with zkp without revealing their balance/assets themselves. 2) Second, zkp and the “user state” model hide the user’s balance. Here you find the result is mixed, and hard to distinguish them IF THE USER BALANCES / STATES ARE HIDDEN. The remarkable thing is that the final state diffs are the result of many transactions. Tx history data will be part of the private input of a zkp circuit (like Groth16 or Plonk) and prove that final state diffs are the correct result of that hidden tx history data. Then you can make a batch of zkRollup without tx history data. The soundness of the Merkle root transition is guaranteed by zkp. In option 2, millions of transactions with the same result of no transactions use 0 gas for the txcalldata use, since there is nothing to record in the txcalldata. Option 2 is recording the diff of the final state as a result of transactions in the block (batch). Option 1 is recording all of transaction history data to txcalldata. There are 2 two options of using txcalldata to restore the full states. A zkRollup with no transaction history data to enable secret smart contract execution with calldata efficiency The comments posted on this blog become part of the public domain. We don't edit comments to remove objectionable content, so please ensure that your comment contains none of the above. To file a detailed report about a scam, go to. We won’t post comments that include personal information, like Social Security numbers, account numbers, home addresses, and email addresses.We won’t post threats, defamatory statements, or suggestions or encouragement of illegal activity.We won’t post comments that include vulgar messages, personal attacks by name, or offensive terms that target specific people or groups.
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Play Idle Balls in front of your favorite show, in a boring class or meeting - without missing the important stuff. Idle Miner Tycoon will keep you occupied and not burnt out. However, you lose a lot of the core functionality, like spatial audio, if you do. And the initial setup is done with one tap, all of this is thanks to Apple’s H1 headphone chip.įor Android users, you technically can use the AirPods Max with those devices. That includes automatic pairing to devices you’ve connected to your iCloud account and hands-free interactions with Siri. These are AirPods after all, so you get the handy features built explicitly for iPhone owners. They do include an adaptive EQ system that uses “advanced software” and “computational audio” to adjust the low and mid-frequencies in real time to account for changes in fit and earcup seal. With the AirPods Max, the default option is the best in my opinion. Apple offers some presets in the settings for Apple Music, but they’re not very good. You’ll notice I didn’t mention a custom EQ. Most of this is exactly what you get with the AirPods Pro. Apple will let you disable head detection and spatial audio here as well, in addition to turning off automatic connection to your iPhone. You can also change the rotation of the digital crown from front to back or back to front. You can access volume, noise control and spatial audio in Control Center, too. You can manually change the noise control (ANC, off, transparency) and adjust the functionality of the ANC button by adding “off,” or neither ANC or transparency is active. (You’ll need to update to 14.3 to use these.) From the Bluetooth menu, tap the “i” icon beside the device name and you’ll get all of the customizable features. Everything you need software-wise is built into iOS. Like other AirPods, there’s no companion app for the Max. If you want to go wired you’ll have to connect via a Lightning cable, which is also how you charge them. There is no power button, and there’s no 3.5mm headphone jack. Those are the only two buttons on the AirPods Max. Everything you need is there, the experience is reliable and you can hit both pause and activate ambient sound with ease. I was skeptical about the crown, but after a week of testing, these are some of the simplest and most effective controls I’ve used on headphones. Those two controls sit atop the right earcup, with the buttons separated by the headband. There’s also a separate button that switches between active noise cancellation (ANC) and transparency mode. It rotates to adjust volume and accepts a variety of presses to control audio and calls. But that was the only source of discomfort and it has nothing to do with weight.įor the on-board controls, Apple opted for a rotating crown like it uses on the Apple Watch. However, these aren’t the best headphones I’ve tested in that regard: I can feel the rings of the earcups after just a few minutes due to the softness of the memory foam (and my big head). They’re actually pretty comfortable in spite of it. But just as surprising is that the heft isn’t really an issue. They’re nearly 385 grams - over 130 grams more than Sony’s WH-1000XM4. One of the most surprising things about the AirPods Max is the weight. AirPods Pro vs.By subscribing, you are agreeing to Engadget's Terms and Privacy Policy. That process should be much less painless, but I doubt most people are pairing their earbuds to their exercise equipment on a regular basis. I had to reconnect the earbuds to my phone in the Bluetooth settings, and in a few cases, I had to set up the AirPods again from scratch. With active noise cancellation enabled, I couldn’t hear the squeak of the bike pedals or my own exasperated sighs during particularly tough climbs.īut I wish the AirPods would seamlessly pair back to my iPhone after a class. The bike screen prompts you to pair Bluetooth earbuds to listen to the instructor and the class playlist, which I did by opening the AirPods case and pressing the pairing button. In addition to running, I paired the AirPods Pro to a Peloton bike for a few 30-minute spin classes. None of those earbuds are particularly heavy, but you can definitely feel them in your ears. It feels as if I'm wearing nothing at all, which isn't the case with Jabra, Jaybird or Powerbeats. I also appreciate how lightweight the AirPods Pro are. Active noise cancellation is a godsend when I need to block out grunting weightlifters or the person who thinks it's socially acceptable to blast their workout tunes on a speaker (lady, get some headphones like the rest of us).īut even without active noise cancellation enabled, my tunes were bass-forward and propelled me to run faster as I pounded the pavement. (Image credit: Future)Ĭonfession: I will not be using active noise cancellation when I run outside, because I value my life and want to be aware of my surroundings. Pairing AirPods Pro to a Peloton bike is easy, but repairing them to my iPhone could be more seamless. Anyone can get on it and you get a 'free' up to date version of the program but you have to contribute and give feedback. There isn't any one audio browser on the windows platform that comes close to doing a majority of what's needed. Sometimes you want to find things, sometimes you want to be creative with what you find. Again, it allows you different ways of browsing. Very clever and very useful.Īnother people have mentioned is XO, and that is great as well. I only upgraded recently so I haven't checked it out. The browser in Reason 12 has just had an overhaul and is supposed to be improved. The browser in Samplitude is actually very good, at least for what I use it for. The Cubase browser is powerful but a chore to set up. The Ableton browser is very slow - it takes ages to refresh files. I'll keep checking it out but so far not impressed (just my workflow probably). I can see it's powerful, but it's maybe for a different type of user. I've tried Soundminer Plus and I found it clunky. It's a shame they didn't concentrate on a proper audio browser. I guess they want the 'kids' to buy their loops! We get it, but jeez, don't leave us half-blind. I really dislike the later versions of the program as it just bombards you with ads and flashing images. I also use an old version of Loopcloud - v3 or 4 (can't remember) anyway that works quite well. But it's very handy for some stuf and the interface is nice. I didn't spend a lot of time with it because it kept crashing. But maybe in the latest release it's sorted that out now. It's got a lot of options and I find it very creative and inspiring.ĪDSR Sample manager I always found to be slow/buggy. Oftentimes I'll use foobar2000 to step through stems from a track and reassemble and compile them to one new master file. I'll browse samples in a different way I'll browse stems for tracks, and how I browse finished projects as well. That's the trouble, how we audition and how we listen to the music we make varies not just from person to person, but the individual as well. I actually use it a lot for general browsing 'of a certain kind'. To those that mentioned the browsers in Studio One and REAPER, I agree. Lots of options for tags and file information. The interface is nice and you can collapse your folders or expand them. This alone is a very powerful workflow feature that other programs don't provide (to my knowledge). You just need to quickly fill out a dialog box of where you're exporting to - et voila - you get a perfect render of your down-pitched and marker selected loop! Super quick and easy and working out of the box. I'd looped my old render to just a couple of bars and pitched it down and it was sounding good. So if you are familiar with that, you'll know how it works.īut the best thing of all was the little 'export as' button on the bottom right. You can also draw markers for loops and you can zoom in very quickly with the way its implemented the zoom feature. The pitch shifting sounds good to my ears. What I really love about this program is I just browsed an old project in Ableton and played it back slowed down 4/5 semitones. Doh! You should close the program and restart it after building a database of your files, so if it crashes you won't lose everything. I also lost all the music library folder and had to scan again for another hour. The program did crash however after I tried to do some fade in edits on a file. It's a bit fiddly to use and different to other programs, but easy enough to figure it out. It took about an hour to scan nearly 200 Gigs on my music drive. Asks you for the mail and password when you install it though so keep it handy! You need to give an email and register but I just used a 10minute mail and it worked. There are many songs available on YouTube that aren’t appropriate for children because they talk about sex or drugs or other adult topics so make sure any music you choose is appropriate for kids! It’s important not only because of what happens when kids hear these things but also because parents may stop coming if they feel uncomfortable having their children around this kind of material at church events.” Bass Praise and Worship Songs If it’s hard for someone who knows how to play an instrument to sing along with their guitar or keyboard, then it will be hard for everyone else too! The same goes for instruments like drums and violin-if the rhythm is complicated and difficult, then you won’t be able to use these instruments in your group (and probably not even practice them at home). You should also choose songs that are easy to sing. The best choice is to make sure your songbooks have songs that can be played easily by anyone. It’s great if the worship leader can do some fancy finger picking or strumming, but most people aren’t able to do that. When choosing songs, you should pick ones that are easy to play. “Just A Closer Walk With Thee” (also known as “Nearer My God To Thee”).“How Can I Keep From Singing” (also known as “Amazing Grace”).You’ll find loads of resources here including tutorials on how to play some popular gospel songs on your banjo: To learn more about gospel-style banjo playing, check out this article from (). Banjo players, however, have an advantage over other musicians because of their ability to transpose keys. Gospel songs are often in a difficult key and you may not have the chance to see a live band play the song in person. Gospel music is a genre that many people find hard to play. If possible, try both types of guitars before deciding which one works best for you as an individual musician! Ukulele Praise and Worship Songs With an electric guitar, you may have to plug in your amp before playing live so that the audience can hear what you’re doing! When you pick up a guitar, you need to find out which one fits your body best: acoustic or electric?Īcoustic guitars are more common for playing praise and worship music because they sound better when amplified. It’s played by plucking the strings to produce different notes, which are made louder or softer depending on how hard you pluck them. Guitar is an instrument that many people can play and it’s not surprising that there would be guitar praise and worship songs.Ī guitar is basically a long flat board with strings stretched across it. If you don’t know how to read sheet music yet, don’t worry! We’ll teach you how in this article! Guitar Praise and Worship Songs These songs are often played with an organ or electric guitar, but they can also be played on a piano if you know how to read sheet music. Praise and worship songs are songs that are sung at church services to praise God or express one’s love for Him. The vibration causes sound waves which travel through air and can be heard by humans as music. When you press the keys on the right side of the keyboard, it causes strings in the left side to vibrate. Praise and worship songbooks Piano Praise and Worship SongsĪ piano is a musical instrument that typically consists of a series of wooden frames and hammers. Afterwards, they can be imported back into a scene using a V-Ray Proxy Import. The V-Ray Proxy ROP node allows you to export. Contact Support and attach the crash log, machine information, and license diagnostic files.This page provides information on the V-Ray Proxy ROP (rop_vrayproxy) node.The error should tell you where the crash log.Try upgrading your Houdini build to either the Production or Daily build.Check your graphics card and VRAM against Supported Graphics Cards.Ensure your computer meets the System Requirements.Refer to the Houdini crashes on startup page.Refer to SSL peer certificate or SSH remote key was not OK.SSL Error when trying to login using the License Administrator Verify that you have purchased Houdini Indie licenses. Houdini Engine Indie will not run the Indie graphical interface.Ensure that this matches your computer name. Launch the License Administrator and go to File->Change License Server.Apprentice/Indie user machine must look to itself for licenses.
After spending a lifetime estranged, Bradley patched up his relationship with his mother in time to serve as her caretaker before she passed, and also early enough that she got to see his career finally take off. Of the spare forty-minute tracklist, “Things We Do For Love” might be the most satisfyingly retro offering, complete with a dose of doo-wop accompaniment and a nimble, romantic groove. The album’s greatest accomplishment is in its most unexpectedly personal moment though, in which Bradley wrestles an out-of-character Black Sabbath ballad about a breakup into an agonizing paean to his late mother. Much of the album is about love: searching for it, being wronged by it, basking in it. Near the end of “Nobody But You” a horn line quotes the unmistakable saxophone from Seals and Crofts 1972 hit “Summer Breeze,” whereas the opening piano-laced drum break on “You Think I Don’t Know (But I Know)” conjures up Freddie Scott’s “(You) Got What I Need,” now perhaps better known to all as the sample chop Biz Markie finagled into “Just a Friend.” But the album is nonetheless inflected with the referential post-funk and hip-hop drum sounds of label guitarist Thomas Brenneck and company. Musically, Changes fits squarely into the Daptone house sound, but the session players-primarily from Menahan Street Band but also Bradley’s touring group The Extraordinaries-are more restrained here to make room for Bradley's big presence and even bigger voice. Like other songs on the album, the song is vaguely and upliftingly political: On “Changed For the World” Bradley tells us "Heaven is crying, the world is shaking." Half singing, half preaching, he warns “God is unhappy, the moon is breaking / Blood is spilling, God is coming.” The record opens with a soulful gospel rendition of “God Bless America” in which the singer delivers an organ-laced testimony the same keys pop up in funkier form on follow-up “Good to Be Back at Home.” After spending much of his seventh decade as a first-time international headliner, Bradley sings about the mixture of relief and disappointment in his return trip. For a guy who has often been affectionately pigeonholed-Bradley has earned a tagline as the “The Screaming Eagle of Soul”-the new album instead finds him at his most versatile and complete. Changes’ lyrics are immediately and sometimes overly familiar, but Bradley’s unmistakable voice is the obvious draw throughout. Set in 1936, we're truly introduced to the archaeologist and professor Indiana Jones played by Harrison Ford. This first installment in the franchise started it all, even though it's second chronologically. Indiana Jones and The Raiders of the Lost Ark If you want to watch all of the movies, you may want to start off with this one so you can get past the chilled monkey brains and move on. This one is a dark ride with a kind of weak plot, and for me, it's not as enjoyable as the first or third ones in the series. Set in 1935 with the majority of it taking place in India, Indy teams up with a kid named Short Round (played by Ke Huy Quan) and a singer (played by Willie Scott) to fight against a cult that's into child enslavement and human sacrifice. And while this film is okay, it doesn't have the intriguing story arcs of either Raiders or Last Crusade. Indiana Jones and The Temple of Doomĭespite being the second film to come out, this one actually takes place before the events of Raiders of the Lost Ark. If you're unsure about how the timeline shakes out, here's our rundown of the Indiana Jones movies, their relative place in the overall story of Indy, and a little bit about each one! 1. Related: Every Indiana Jones Movie, Ranked: Which One Is the Best?īut when you go to rewatch the Indiana Jones movies, consider this: instead of watching them in release order, try watching them in chronological order of when they take place in the story! Is that ever really a bad thing? Even at 80 years old, he's still the only one I want to see playing Indy. Not every Indiana Jones movie hits the same highs, but all of them provide the opportunity to feast your eyes on Harrison Ford and his daring adventures. With the new Indiana Jones movie just entering its filming phase, you might be inspired to take a ride through the rest of the movies so far-maybe to refresh your memory, maybe watch for the first time. |